R10 is a recycled granulated rubber matting designed to reduce impact noise transmission through timber joisted separating floors and designed to help you meet Part E of the building regulations. It has been specifically designed to help bring timber suspended floors into compliance with Part E of the Building Regulations for separating floors between new flats and flat conversions resulting from change of use.
Independently tested, this unique sound insulation for reduction of impact noise is the popular choice when converting a property into flats and complies with the latest Building Regulation requirements. This recycled mat is also ideal for soundproofing and upgrading a floor in existing flats and homes and a wide variety of other domestic uses and should be used along with SilentBoard to create an independent floating floor to reduce impact and airborne noise nuisance to rooms beneath.
10 mm thick acoustic insulation rolls, made of SBR (Stirene Butadiene Rubber) fibres and granules rubber, compacted using a latex binder in a hot process. A blue synthetic, 90 g/m² non woven anti-stretch backing is applied on one side.
What Are The Technical Details?
R10 Acoustic Matting
Granulated recycled rubber impact reducing mat
1m x 5m
Weight Per Roll
Area Covered Per Roll
How Much Acoustic Treatment Should I Use?
This is a very difficult subject to address. This is because every room is different. There are a lot of factors to take into consideration. As a generalization most rooms will need between 25% and 75% of coverage. This is only for the walls and ceiling. Most people forget when treating a room that the ceiling is just as important when it comes to treating a room as the walls are.
Here is a brief overview of suggested quantities of acoustic treatment:
• Control Rooms for rock, pop, rap, hip-hop, R&B, country, techno, MIDI music, etc. usually benefit from 50% to 75% coverage and mostly absorption. Bass Trapping is also an important part of acoustic treatment for this type of room. • Control Rooms for jazz, art (classical), choral, acoustic, world and other forms of ensemble music usually benefit from 35% to 50% coverage. • Mixing rooms usually call for quite a dead area around the mixing desk itself from 50% to 85%. Around the rest of the room it needs a little absorption between 20% and 40% along with some diffusion. • “Live Rooms” will vary a lot. Some well-designed live rooms can get by with 20% coverage (or even less!). Most fall into the 25% to 50% range. The most successful Live Rooms usually have some degree of variability. This is done so that a studio is not limited to a certain number of styles of music. By making the room adjustable it gives the studio a high ability to accommodate different styles of music. • Isolation Booths usually call for quite a bit of absorption – 75% or more. If the booth is to be used for very tight vocal booth then near 100% absorption may be necessary. • Home theatres and dedicated listening rooms do require quite a large area of absorbing foam on the walls. This is mixed with some diffusion on the ceiling also. • Offices, Restaurants, Classrooms etc. will benefit from 25% and 50% of coverage of the total surface area of the walls and ceiling. We know that sometimes getting the perfect coverage is not always possible. However within reason introduction of any acoustic treatment will make an improvement to the space being considered. The closer we can get the to the ideal coverage then the better the results will be.
Almost never will 100% absorption be needed and neither is it suggested. The room, no matter what it is going to be used for will still need some ‘liveliness’ in it. If 100% absorption is used the room will feel very close, tight and very very un-natural. The room could come to feel quite claustrophobic and extremely difficult to work in. By leaving a percentage of the area of the walls bare the exposed part can be reflective thus helping to stop your recordings or practise sessions from being overbearing. This will have the outcome of much better performances and recording results.
Orders with a value of £0.00 to £54.99 have a £7.00 carriage charge with tracked next working day delivery.
Orders with a value of 55.00 to £99.99 have a £12.00 carriage charge with tracked next working day delivery.
Orders with a value of £100.00 or more qualify for free next day shipping.
For carts which contain Acoustic Plasterboard, Soundproofing Mat, SilentBoard, QuietPanel, Silent Floor Ultra, M20 and R10 the following charges apply:
Orders with a value of £0.00 to £124.99 there is a £12.00 carriage charge with tracked next day delivery.
Orders with a value of £125.00 to £249.99 there is a £24.00 carriage charge with tracked next day delivery.
Orders with a value of £250.00 to £1,199.99 there is a £65.00 carriage charge with tracked next day delivery.
Orders with a value of £1,200.00 and up there is a £130.00 carriage charge with tracked next day delivery.
If you would like more information regarding our delivery service you can click this link.
Our policy lasts 30 days. If 30 days have gone by since your purchase, unfortunately we can’t offer you a refund or exchange. To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.
- Made to order items such as our Office Acoustic Panels, High End Audio Acoustic Panels and Silent Space Isolation Booths. - Gift cards
To complete your return, we require a receipt or proof of purchase. Please contact us for your return authorisation number. Once your return is received and inspected, we will send you an email to notify you that we have received your returned item.
Exchanges We only replace items if they are defective or damaged. If you need to exchange it for the same item, send us an email at firstname.lastname@example.org and send your item to: Advanced Acoustics LTD, Unit B, Maunside, Green Line Industrial Estate, Mansfield, NG18 5GU, United Kingdom.