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Acoustic Foam Studio Bass Traps for Recording, Rehearsal & Mixing

For music studios—recording, rehearsal, and mixing—bass traps are essential. 

Small rooms exaggerate low‑frequency build‑up, causing boomy notes, masking, and uneven response. Our UK‑made bass traps target these room modes in corners, flattening the low‑end so tracking and mix decisions translate. Use them with acoustic tiles or 2 × 4 ft panels for reflection control. Independently tested performance, and ready‑to‑ship stock. Free next‑day UK delivery over £100 and a 30‑day money‑back guarantee keep your studio upgrade simple.

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Wedge Corner Bass Trap 3ft Acoustic Studio Foam - Advanced Acoustics
Wedge Corner Bass Trap 3ft Acoustic Studio Foam - Advanced Acoustics
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Wedge Corner Bass Trap 2ft Acoustic Studio Foam - Advanced Acoustics
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Bass Trap Corner Fill Acoustic Studio Foam
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Original Bass Trap 3ft Acoustic Studio Foam - Advanced Acoustics
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Wave Corner Bass Trap 3ft Acoustic Studio Foam
Wave Corner Bass Trap 3ft Acoustic Studio Foam
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Wave Corner Bass Trap 2ft Acoustic Studio Foam
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Acoustic Foam Studio Bass Traps for Recording, Rehearsal & Mixing

Why Bass Traps Are Essential for Music Rooms

Low‑frequency room modes distort what you hear and what your mic captures. Bass traps absorb these modes in corners, reducing boom and tightening the stereo image so recording and mixing decisions actually translate.

Recording & Rehearsal Rooms

  • Place bass traps in front corners first to tame boom near microphones and instruments
  • Add rear corners to improve room balance and decay
  • Combine with tiles/panels at first reflections for clarity and intelligibility

Mixing & Production Suites

  • Aim for consistent low‑end at the listening position
  • Start with 4 traps (front vertical corners); expand if response is still uneven
  • Symmetry matters—treat opposing corners for a balanced field

Podcasting Guidance (Different Needs)

For spoken word, the right acoustic tiles typically give broad‑band control. Most podcast rooms won’t need bass traps unless a specific low‑end issue remains after tiling (audible boom or boxy tone). If that happens, add 2 traps in the worst corners and reassess. Otherwise, invest in effective tile coverage first.

How Many Bass Traps Do I Need?

  • Small music room (≈3 × 3 m): start with 8 traps (front + rear vertical corners)
  • Larger or very rigid rooms: 12-16 traps; stack if decay is long
  • Podcast rooms: 0 by default; 2 only if a measured or clearly audible problem persists

Placement Tips

  • Prioritize vertical corners from floor to ceiling
  • Front wall corners first; add rear for balance
  • Avoid blocking doors/vents; keep symmetry where possible

Materials, Safety, and Specs

  • Independently tested low‑frequency absorption
  • UK‑made foams with consistent density/cell structure
  • Compatible with 12" tiles and 2 × 4 ft panels

FAQs

Q: Are bass traps necessary in every studio?
A: In music studios (recording, rehearsal, mixing), yes—they’re foundational for accurate low‑end. In podcast rooms, usually not unless boom persists after tiling.

Q: How many traps should I start with?
A: Music rooms: 8 is a reliable starting point (front + rear corners). Podcast rooms: 0; add 2 only if needed.

Q: Do bass traps reduce echo?
A: They mainly target low frequencies. Use tiles/panels for mid/high reflections and intelligibility.

Q: Can I mix traps with tiles and panels?
A: Absolutely—this is the standard full‑range treatment approach.