The Pyramid profile is synonymous with studios around the world. It is a a classic profile that will never date. And the performance the profile offers is great too. The balance of increased surface area and relative tile thickness ensures that absorption is kept balanced. These panels are CNC cut to ensure a uniform profile all the way though. These 75mm Pyramid Mel-Acoustic Acoustic Foam Panels are 600mm x 600mm and have a peak thickness of 75mm with the base thickness being 38mm. A thinner version of the Pyramid profile is also available. There is also a matching Wedge profile too. These panels can be easily trimmed or cut to size to suit the space you are treating and as they are supplied in white they are also clean and light hepling you give your studio a light and airy feel to it. This Pyramid profile we offer has been carefully calculated by us to ensure we offer the maximum in terms of performance for this thickness. The balance we have made with not taking too much foam out of the panel to create the profile that looks good has resulted in an acoustic panel that gives you the required amount of absorption.
Our Mel-Acoustic Range is the latest addition to our product stable. The range incorporates the use of Melamine Acoustic Foam manufactured by Basotect and we convert it into the various shapes and sheets. Melamine foam is a flexible open cell foam made from melamine resin. The melamine foam has a high flame resistance, low weight, good thermal properties and also has an extremely high sound absorption capacity. The other great feature of Melamine foam is that it is available in white and it will not discolour. Being halide free, Melamine foam when exposed to either naked flame or extreme heat does not emit any of the toxic by-products associated with conventional polyurethane based acoustic foams. We use a high density version being 16kg/m3. This denser version gives us better results in terms of absorption. The density we use is in some cases almost twice the density of the Melamine Acoustic Foam panels our competitors use which reduces their cost but also reduces their performance.
Our Mel-Acoustic Panels have a fire classification of Class '0' and B1. It also has no fibres so it is a non-irritant and so is safe for use in any environment. At Advanced Acoustics we have many years of experience in acoustic treatment and soundproofing with a name that is highly respected. Acoustic treatment and soundproofing is all that we do it is what we specialize in. This product is kept in stock for immediate delivery.
Individual Acoustic Panel Size
600mm x 600mm
Quantity Of Acoustic Panels Per Box
Total Area Covered Per Box
Acoustic Panel Thickness
38mm at the base, 75mm at the peak
Noise Reduction Coefficient (NRC)
Acoustic Foam Colour
Acoustic Foam Density
Acoustic Foam Composition
Open Cell Acoustic Foam made from Melamine Resin
DIN 4102 - B1
FMVSS 302 - fulfilled
BS 476, part 6/7 - Class O
UL 94 - V-O, HF-1
40% deformation : 7-20kPa
50% at 70øC for 22 hours : 10%-20%
130-200 ppi approx
0.035W/mK @ 10øC
Continuous Service Temperature
DIN 4102 Class A2
Resistant to hydrolysis, alcohols, hydrocarbons, most organic solvents and dilute acids & bases.
This is a very difficult subject to address. This is because every room is different. There are a lot of factors to take into consideration. As a generalization most rooms will need between 25% and 75% of coverage. This is only for the walls and ceiling. Most people forget when treating a room that the ceiling is just as important when it comes to treating a room as the walls are.
Here is a brief overview of suggested quantities of acoustic treatment:
• Control Rooms for rock, pop, rap, hip-hop, R&B, country, techno, MIDI music, etc. usually benefit from 50% to 75% coverage and mostly absorption. Bass Trapping is also an important part of acoustic treatment for this type of room. • Control Rooms for jazz, art (classical), choral, acoustic, world and other forms of ensemble music usually benefit from 35% to 50% coverage. • Mixing rooms usually call for quite a dead area around the mixing desk itself from 50% to 85%. Around the rest of the room it needs a little absorption between 20% and 40% along with some diffusion. • “Live Rooms” will vary a lot. Some well-designed live rooms can get by with 20% coverage (or even less!). Most fall into the 25% to 50% range. The most successful Live Rooms usually have some degree of variability. This is done so that a studio is not limited to a certain number of styles of music. By making the room adjustable it gives the studio a high ability to accommodate different styles of music. • Isolation Booths usually call for quite a bit of absorption – 75% or more. If the booth is to be used for very tight vocal booth then near 100% absorption may be necessary. • Home theatres and dedicated listening rooms do require quite a large area of absorbing foam on the walls. This is mixed with some diffusion on the ceiling also. • Offices, Restaurants, Classrooms etc. will benefit from 25% and 50% of coverage of the total surface area of the walls and ceiling. We know that sometimes getting the perfect coverage is not always possible. However within reason introduction of any acoustic treatment will make an improvement to the space being considered. The closer we can get the to the ideal coverage then the better the results will be.
Almost never will 100% absorption be needed and neither is it suggested. The room, no matter what it is going to be used for will still need some ‘liveliness’ in it. If 100% absorption is used the room will feel very close, tight and very very un-natural. The room could come to feel quite claustrophobic and extremely difficult to work in. By leaving a percentage of the area of the walls bare the exposed part can be reflective thus helping to stop your recordings or practise sessions from being overbearing. This will have the outcome of much better performances and recording results.
UK Shipping Charges For Most Products
Orders with a value of £0.00 to £54.99 have a £7.00 carriage charge with tracked next working day delivery.
Orders with a value of 55.00 to £99.99 have a £12.00 carriage charge with tracked next working day delivery.
Orders with a value of £100.00 or more qualify for free next day shipping.
For carts which contain Soundproofing Mat, SilentBoard, QuietPanel, Silent Floor Ultra, M20 and R10 the following charges apply
£8.00 carriage for the first item and £4.00 carriage for every item added up to a maximum charge of £65.00.
Plasterboard and Bulk Products have a £65.00 pallet charge per item.
Our policy lasts 30 days. If 30 days have gone by since your purchase, unfortunately we can’t offer you a refund or exchange. To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.
- Made to order items such as our Office Acoustic Panels, High End Audio Acoustic Panels and Silent Space Isolation Booths. - Gift cards
To complete your return, we require a receipt or proof of purchase. Please contact us for your return authorisation number. Once your return is received and inspected, we will send you an email to notify you that we have received your returned item.
Exchanges We only replace items if they are defective or damaged. If you need to exchange it for the same item, send us an email at firstname.lastname@example.org and send your item to: Advanced Acoustics LTD, Unit B, Maunside, Green Line Industrial Estate, Mansfield, NG18 5GU, United Kingdom.